Full Version: normal dpi output

From: bd (BDFINALLY) [#1]
 2 Apr 2007
To: ALL

we normally do our laser engraving at 300dpi, but was wondering whether others used higher dpi as a normal part of their engraving. btw, it's a legend 24ex 45 watt machine.

EDITED: 2 Apr 2007 by DGL


From: PenTrophy (PENINSULATROPHY) [#2]
 2 Apr 2007
To: bd (BDFINALLY) [#1] 2 Apr 2007

I'm up at 500-600... I don't like the jagged edges on some of the letters when it engraves.

From: Cody (BOBTNAILER) [#3]
 2 Apr 2007
To: bd (BDFINALLY) [#1] 2 Apr 2007

600 is normal for us.

When we need speed more than quality, we go down to 400.

If it's just for a layout proof (location only - for tough placements), I'll go to 200.

This is on a 24TT 35W.


From: Larry B (PALMETTO) [#4]
 2 Apr 2007
To: ALL

I get excellant results at 600dpi. 400 is quite acceptable also. Photos processed with Photograv should be at 300 (per Photograv advice). My default is 600 so I just usually use that.

From: Dave Jones (DAVERJ) [#5]
 2 Apr 2007
To: bd (BDFINALLY) [#1] 2 Apr 2007

If I want quality, which is most of the time, I do 600. Occasionally I'll do 300. With photographs on anodized aluminum I prepare the art at 300 and engrave at 600. But text on the same aluminum is a straight 600.

From: Mike (MIKEHUNTER) [#6]
 2 Apr 2007
To: ALL

300 glass, 600 wood and plastic, 1200 anodised aluminium.

Mostly wood is OK at 300, but it needs to be run more slowly to get the same depth - so the time saving compared to 600 is not worth the bother for most jobs.


From: bd (BDFINALLY) [#7]
 5 Apr 2007
To: ALL

thanks for all the feedback, guys. having said that, it was a bit of a surprise to see all the 600dpi answers. i'm sure we all realize all situations and jobs are different, but i almost never use 600 dpi. occasionally on some acrylic pieces i'll use 400 dpi to get thru stubborn coatings. in the past 11 years i've probably done tens of thousands of pieces of acrylic and plaques, never having one come back because of a customer considering 300dpi letters jagged or of poor quality. perhaps we've just been lucky! i've also compared the quality side by side before and i can see it, but i doubt most customers would. the time factor is also a consideration. i sure we're all feeling those time constraints this time of year especially. anyway thanks again

From: Harvey only (HARVEY-ONLY) [#8]
 6 Apr 2007
To: bd (BDFINALLY) [#7] 9 Apr 2007

The DPI setting will only affect the time to get the job to the laser. The LPI setting will affect how long it takes. I usually use 500 for both, sometimes 1000 for both on special items.

My opinion is if I can see the difference, then the lower LPI is unacceptable.


From: Doc (GREAT_ATLANTIC) [#9]
 7 Apr 2007
To: bd (BDFINALLY) [#1] 9 Apr 2007

quote:
we normally do our laser engraving at 300dpi, but was wondering whether others used higher dpi as a normal part of their engraving. btw, it's a legend 24ex 45 watt machine.

We have the same machine and run everything at 600dpi.

From: Mike (MIKEHUNTER) [#10]
 8 Apr 2007
To: Harvey only (HARVEY-ONLY) [#8] 8 Apr 2007

Harvey
Us poor Epilog owners only have the one setting.
Epilog's "dpi setting" is really lines per inch in the Y direction - I assume that this is what everyone is talking about.
At 600 "Epilog dpi", each pass overlaps the previous one by about 2/3 - this means that you get a good deep engrave. My own feeling is that this produces better results than "300 dpi" run more slowly.


From: Laser Image (LASER_IMAGE) [#11]
 8 Apr 2007
To: Harvey only (HARVEY-ONLY) [#8] 8 Apr 2007

My laser works opposite of that - DPI is vertical pitch and PPI is horizontal. If I send a job out at 1000 PPI vs 100 PPI it takes the exact same amount of time. If I send a job out at 600 DPI vs 300 DPI it takes twice as long (or more).
I guess it depends on the driver as to what setting affects which axis of resolution.

Gary


From: Harvey only (HARVEY-ONLY) [#12]
 8 Apr 2007
To: Mike (MIKEHUNTER) [#10] 10 Apr 2007

I had a nice long technical answer ready for posting, then accidentally closed the window.

It you have only one setting it is probably a 'square' setting, both DPI and LPI together. The ULS driver has them available separately, I almost always use it as a square setting anyway.

In your case 600 DPI will take twice as long to engrave than 300 DPI. Try both as a test and see if you think there is a difference in output. Some materials will show quite a difference, some (like wood) will not.

A laser spot is basically round. A .003 spot at 333 DPI will have the pulses touch only on the left/right and the up/down edges and leave 12.5% of the surface untouched. That is why overlap is necessary.

Also picture the edge of a row of touching circles, very uneven. Then superimpose that same row shifted 1/2 of a circle off center. A much smoother edge.

EDITED: 8 Apr 2007 by HARVEY-ONLY


From: Dave Jones (DAVERJ) [#13]
 8 Apr 2007
To: Mike (MIKEHUNTER) [#10] 10 Apr 2007

On the Epilog Mini-24 the dpi setting changes both the X and Y, not just Y.

From: Mike (MIKEHUNTER) [#14]
 10 Apr 2007
To: Harvey only (HARVEY-ONLY) [#12] 11 Apr 2007

As I said above, the increased overlap at 600 "dpi" means that I get a deeper, better quality engrave than at 300, ***especially*** on wood.
It does take twice as long for a single pass, but when I was doing wood at 300, I would often have to do two passes to get the depth I wanted and still not get the quality.

I'm not convinced that the Epilog settings are "square". If I engrave anodised aluminium at 600 "dpi", I get definate gaps (lines) between the rows in the X direction. I don't see the same gaps in the Y direction. (This could be because of the laser on/off time (blurring the dots)). To get rid of the gaps, I always run aluminium at 1200 dpi, which gives excellent results.


From: Mike (MIKEN) [#15]
 10 Apr 2007
To: Mike (MIKEHUNTER) [#14] 13 Apr 2007

Mike

Is there any chance you have a flucuation in your power supply?

From: Peck.Sidara (LAOPADAK) [#16]
 11 Apr 2007
To: Mike (MIKEHUNTER) [#14] 13 Apr 2007

Mike,

The DPI setting used in the Epilog driver are square in that the overlap of pixels are in both the x and y-axis. It is something that is discussed in our current manual. There's a greyscale picture of a train engraved at both 300 & 600DPI showing the difference in quality. The difference is in both x and y. I believe it's more dependent on the material and file you're using when engraving whether you can clearly see the different for both x and y vs. just y.

Regards,

Peck Sidara
Epilog Laser


From: Dave Jones (DAVERJ) [#17]
 11 Apr 2007
To: Mike (MIKEHUNTER) [#14] 13 Apr 2007

I've done tests on anodized aluminum at a number of resolutions and definitely see the X and Y both increase. For photos I do not send grayscale images directly to the laser when using aluminum. I always use Photograv to convert the photos to pure B&W dots first. Then all text and images are being sent already converted to pure B&W and I get more control over the result.

I've noticed with aluminum that when I set the driver to higher than 300dpi that the dots on the X change depending on the resolution of the image being engraved.

What I mean is that if I engrave a dithered 600dpi image at 600 dpi, or a 1200dpi image at 1200 that individual pixels in the X axis engrave too light, presumably because the firing of the laser is so short and it wasn't enough power to fully affect the anodize.

I find that setting the laser at twice the dpi of the original dithered image solves this since it fires the laser twice in the X axis for each pixel. I find that engraving a 300dpi image with the driver set to 600dpi gives me a good result. Alternately a 300 or 600dpi image engraved with the driver at 1200. But I don't see much change in those over the 300dpi engraved at 600, so that's the one I normally use.

When the image was not a direct division of the driver setting I got less predictable results. For example dithering an image to 400dpi and then engraving at 600 had a sort of beating to it and single pixels don't always engrave correctly on aluminum. Going to 1200 would of course be fine since the 400 is a direct division of 1200.


From: Harvey only (HARVEY-ONLY) [#18]
 11 Apr 2007
To: Dave Jones (DAVERJ) [#17] 11 Apr 2007

That is such an important thing about the divisor being a whole number. If it is not you will usually get light and dark lines. It is because it is then converted and some pixels get lost. A two pixel blast will do a lot more damage to the finish than a one pixel blast.

From: Mike (MIKEHUNTER) [#19]
 13 Apr 2007
To: ALL

Mike (MIKEN) - Thanks for the tip, but I don't think that I have a problem. The banding only shows up on aluminium and not any of the other materials that I do. I think that it is because the aluminium just soaks up any out-of-focus beam, so that only the centre of the focus point is engraving (in printing terms, I am seeing dot-loss instead of the more usual dot-gain).

I've not tried engraving a photo onto aluminium, though I would love to - all the ali I do belongs to my customers and it is all text and vector graphics.
One customer demands incredibly small text - 0.9mm (0.035") high - and it was quite a task finding settings which give good results on the fine stuff without blowing away normal sized text and logos.


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